Professor Pille's Planetary Panopticon
Currently under advisement and endless reconstruction. Perhaps confusing yet amusing. A highly vulnerable manifestation of the internationally-regarded Mt. Palomine Institute of Mysteries and its founder, the venerable Professor Antonio Pille. Dedicated with warmest regards to the varied ghosts of Aristophanes, Rabelais, Swift, Sterne, Jarry, Mencken, Baron Munchhausen, and the gentle and honorable Robert Benchley.
About Me
- Name: Prof. Antonio Pille
- Location: Portville, Narragansett National District
Thursday, August 31, 2006
Tuesday, August 29, 2006
Saturday, August 26, 2006
Readers from Everywhichawhere inquire--what the Helle is ghost cheese?!
Ghost cheese has a flavor that is, in most ways, utterly indescribable, largely because there is no way, linguistically, to describe it. The sorts of fancy-pants foods snobs that on "da Urth" like to think of their favorite arcane treats as being beyond all verbal characterization have not a notion about such sublime comestibles. Munching a mouthful of ghost cheese is an experience akin to watching a blittered frothingburb cast stinkles at a rollepatating wim-jiblet, if you catch our drift.
APOLOGY TO BELOVED SUBSCRIBERS
I imagine we're all a touch melancholic and not at-our-finest because of this recent news of the success of that, ahem, stunning "I Love Pancakes" video/song that seems to have knocked the planet (your planet I should emphasize) off its perennially cockeyed axis. Additionally, since early this month, nearly everyone at the Planetary Panopticon has been on vacation and it's only myself and a skeleton crew rattling about the empty Institute, along with this new intern fellow, Mr. Punch (who is a shade disturbing, especially in the morning when it's often just myself at my desk and him hrrr-hrrr-ing back and forth in the hallway, often popping his misshapen wooden head up from behind the transom and asking if I need a good rollicking whack in the noggin, which--being a kindly and positive sort--I assume means would I care for a cup of coffee?)
And I probably do need a good whack in the noggin. All this effort expended at creating and running this ornery thing-called-a-blog and all any of us really needed to do to get a little positive feedback from the "public" was create a tacky and derivative video about a favored junked food, and compose a rinky-dink ditty as accompaniment. Ach, well, I sigh.
Thursday, August 24, 2006
New flag proposed for "da Urth"
For some reason that we stubbornly refuse to devote any self-critical attention to, when we stumbled across Mr. Punch some time back, he struck us as the perfect symbol for modern "Urth" times. This flag proposal depicted above is merely a rough concept tossed together on the Personal Computing Engine using clip art and DaguerreoShop. Hopefully the final version will be chock full of filigree, rigmaroles, accents, sans-serifs, motley, and outre symbolic details. Maybe the flag will feature olive branches framing Mr. Punches adorable head--a United Nations of homicidal lunacy.
[Editor's Note: For frolicsome post-game fun, gaze intently into psychotic Mr. Punch's cock-eyes and meditate unto the events of the last six years. Truly, he is the spirit of the times! One could easily visualize him merrily elaborating on some genocidal point at a press conference and then massacring the assemble media representatives]
NOTICE TO SUBSCRIBERS
For a short while at least, all the hot action will be taking place at our newer site--The Nohovian--largely because we're feeling a bit diminished. Since neither site is read by much of anyone anyhow, this announcement amounts, analogously, to, say, my putting up a warning in the attic advising that later this evening I might roll over onto my right side unexpectedly while sleeping. Maybe Wotan pays attention to such things.
We'd hoped that by posting moose photos on the Nohovian site we might pick up a few readers since our Marketing to "Urth" Folk pamphlet says that furry animal pics are popular with just about everyone with functioning lower brains and above. Disgruntled elements on the Panopticon staff still insist we should hang it all up and post saucy daguerreotypes (the income would pay all Peepergate operation and maintenance costs, guaranteed) or we should attempt something else that I just saw a concept proposal for: a site called That Darn Bush! that would consist of jabs and jibes directed at the current Merkan Pez-head-ent. Our staff cultural psychologists say our biggest problem regarding "Urth" audiences and these things-called-blogs is that none of our efforts reassure anyone that, for one, their current Reality Tunnel (set of beliefs...sort of) is the wisely picked one, and there's nothing here at all within these pages to make one feel smug (kind of the same thing). The Onion does a fine job of all that, it being directed at smug vaguely young, vaguely literate, vaguely upscale sophisticates who'd never play video games for twelve straight hours while eating nothing but Cocoa Puffs.
Our true dilemma is that we challenge, and we challenge by being mildly elusive, whimsical, droll, and incoherent; and we do plain dreadful things like write saucy daguerreotypes instead of pornography (a word that truly is about the vilest that was ever coined and distributed for broad usage) forcing many (well, actually nobody--we've lost them by then) to hustle for the online dictionary to get a sense of the word daguerreotype and maybe even saucy. No one languishing under the tattered beach umbrella of current "Urth" culture is going to make the slightest effort to be challenged; and in a way maybe that's our convoluted point here, not that any point was ever intended. Heck, we're just trying to have a bit of fun without imitating what everyone else does.
Speaking of having a bit of fun, the above is one of Gustav Dore's illustrations for Rabelais's book(s) about Gargantua and Pantagruel. This is a swell doodle to be sure, but there are others by him (images of which we couldn't locate) that are beyond all believing. No modern "Urth" graphic artist or illustrator of pictorial epics (comic books)* comes close to Dore. In truth, when you place work by him, or, more so, by Arthur Rackham, alongside that of the stylus-wielding giants of these times something uncomfortable reveals itself. "God," as the architect Mies van der Rohe once wrote, "is in the details" and details are not simply little extra add-ons like those mailboxes or flower gardens one may clump around Barbie's Dream House. They are the subtle nuances that make the difference between great all-embracing art and mimicry and superficial "perfection."
We think here of one B. Moser who has garnered unjustified fame as an illustrator of classic books of the sort that few on "Urth" bother to read or treasure any longer. The books still sell--albeit in ever-reducing numbers--because the pretense of cultural sophistication (sorry, I'm paraphrasing from one of Prof. Fricke's marvelous books on "Urth" culture) is still maintained here and there for reasons that we won't go into that are highly insulting anyway. Since few on "Urth" are adequate judges of talent any longer, Herr Moser gets along dandily by filling book pages with flat, lifeless, wooden, and largely uninteresting drawings that, if nothing else, make for fine simulations of the real item--that being quality art. They look like book illustrations and there are no obvious mistakes in execution. He is, granted, a master of chiaroscuro, but he depends almost wholly upon this coupled with strained emotion for dramatic (we'd say melodramatic) impact. A full book of these shadowy representations of mania and hyperventilation and a tedium creeps in (his "Alice" work assiduously avoids any journey into any Wonderland whatsoever, having all the surreal otherwordliness of a Civil War reenactment). If one seeks a soul or even a glimmer of rich personality behind any of the numerous pairs of eyes he has rendered, one is at a loss. The pictures play out like so many corporate logos of the over-insistent "all-natural" and "whole wheat" variety.
Oh well, this is really subject matter for The Nohovian.
*Calling comic books pictorial epics with a straight face is an ancient and lost form of communication that was known to the Romans (or maybe Greeks) as irony (eye-rawn-knee), which is Navajo or possibly Inuit for "he who speaks through flattened spoons." Some communications whiz-bangs here at the Mt. Palomine Institute have suggested that we utilize contemporary "Urth" text standards and, for starters, highlight eye-rawn-nick passages with a pleasing yet identifiable color, this so that readers will immediately understand that the statement is meant to be just a tiny bit funny. Another expedient would be to include side-bars (and chrome mufflers too, I'd imagine) that would explain the parts of the text that weren't in, shall we say, reduced communicative mode. A fully annotated Professor Pille's Planetary Panopticon with subtitles was also considered.
Tuesday, August 22, 2006
Monday, August 21, 2006
Mr. Punch explains why you are all doomed
Them top and bottomy icey poles be gettin' all warm and slushy and whens theys melts--hrrr, hrrr--it'll slick up the Urth and all them terrie-ists'll be slidin' right outa thar hidey-holes up in tha hills and right inter yer laps like they was on buttered toboggans. Cold and wet-as-my-bum terrie-ists all riled up and orn'ry, ta add ta yer endless sea o'woes and troubles. Even more of em'll be blown outa where they be hidin' up in the tree-tops by the mitey winds from all them fro-shush hurry-canes; droppin' from tha heavens inta yer back-yards and touchin' yer dawters. Then, after that's all been done and spoken fer, all the satty-lites up in outy-space come crashin' down and bustin' open yer heads, flattenin' the rest of yer lyke pancakes. Then big rocks'll come rolling down the hills to crush yer bones ta dust. Yer doomed.